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  • MOVIE page: Green Eyes (2013)
  • Rate: (awaiting 5 votes) Your Rating: Saving vote... Deleting vote... /10 total (delete | history) Sorry, there was a problem MOVIEmeter: Up 11% in popularity this week. See why on IMDbPro. Director: Jack Gattanella Writer: Jack Gattanella (writer) Release Date:2013 (USA) See more 
  • Genre: Drama | Romance
  • Filming Location: Bogota, New Jersey, USA
  • Director: Jack Gattanella
  • Stars: Thomas Wesson, Audrey Lorea, Dasha Kittredge | See full cast and crew
  • Original Music By: Rob Sbar   
Writing Credits By:
    (in alphabetical order)
  • Jack Gattanella  writer

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Plot: Nicolas, a photographer in his 20's, very suddenly loses his girlfriend to a car accident she was driving in... See more » |  »

Story: Nicolas, a photographer in his 20's, very suddenly loses his girlfriend to a car accident she was driving in. Still overcoming the loss, he takes up a sudden and unexpected affair with a girl he barely knows who is addicted to ecstasy. Their relationship slowly comes apart at the seams through sex, drugs, and harping on past mistakes. Written byAnonymous

Produced By:

  • Mark Barragato known as associate producer
  • Carlos del Rosario known as co-producer
  • Mike Dilorenzo known as associate producer
  • Jack Gattanella known as producer
  • Stephen Gattanella known as executive producer
  • Michael Hughes known as co-executive producer
  • Audrey Lorea known as producer

FullCast & Crew:
  • Thomas Wesson known as Nicolas Hizney
  • Audrey Lorea known as Ingrid Carowail
  • Dasha Kittredge known as Jamie Gold
  • Zack Abramowitz known as Glenn Jones
  • Alan Bendich known as Mr. Carowail
  • Jon Caballero known as Tom Mandy
  • Erica Camarano known as Louisa
  • Tali Custer known as Rannie Hizney
  • Nam Holtz known as Machiko
  • Cyrenne Laljie known as Gini
  • Jon Levy known as Rabbi
  • Suzanne Lynch known as Ellie Gold
  • Matthew Rappaport known as Laszlo
  • Kristy Richman known as Belinda Maddalone
  • Adrian James Rosenaur known as Jimmy Gold
  • Andrew Birchenough known as Hal Carowail
  • other cast:
  • Alex Valderana known as Dooley / Pilates #8
  • Gabe Rodriguez known as Nightclub patron
  • Jack Gattanella known as Pilates #7 / Chicken-Head / Funeral Attendee
  • Carlos del Rosario known as House Party Cat
  • Clarke Mayer known as Giant Glasses Man
  • Fiona Mifsud known as House Party
  • John Castaldo known as House Party
  • Kristin Allmer known as Scandinavian Beach Comber
  • Joseph Gambino known as Police Officer
  • Brendon Hughes known as Funeral Attendee
  • Joe Labate known as House Party
  • Michael Hughes known as Colin
  • Adam Hughes known as Pilates #1
  • Kristin del Rosario known as House Party
  • Korey Hughes known as Pilates #2 / Jacuzzi-Party Girl / Nightclub patron / Katie Hughes
  • Mike Dilorenzo known as Pilates #5 / Stoner Bar Man
  • Tovah Yucht known as Funeral Attendee
  • Daryl Berman-Hughes known as Funeral Attendee
  • Andrew Weigly known as Pilates #3 / House Party Dancer
  • Linda Leigh Sheehan known as House Party
  • Kira Winfield known as House Party
  • Kathy Brennan-Hughes known as Funeral Attendee
  • Sara Douma known as Jacuzzi Girl
  • Matthew Catania known as Dolorous Adventure Man
  • Sandy Berman known as Funeral Attendee
  • John Nicholas Marone known as Nightclub patron
  • Kara Hankard known as Club dancer
  • Dee DeNure Hughes known as Funeral Attendee
  • Lindsey Zelli known as Pilates #4
  • Stephen Gattanella known as Funeral Walker
  • Jerry Christal known as Funeral Attendee
  • Jack Hodnett known as Bartender
  • Fernando Xelo known as Bouncer
  • Mark Barragato known as Guy hitting on Rannie

Production Companies:

  • Whiplash Films



Green Eyes (2013) Review by CalvinValjean

There's a wonderful sequence in GREEN EYES that may well be one of myfavorites of any film I've seen. In it, Jamie (Dasha Kittredge) istelling Nic (Tom Wesson) a dark but colorful story about stealing hermom's credit card and descending into a horrible turn of events, andthe result is a moment of magic in a world that been portrayed asotherwise very bleak. As the sequence cuts back and forth betweensurreal-exaggerated flashbacks, the lighting is just perfect, RobSbar's musical score peppers in little moments of whimsy, and everytime we cut back to Jamie telling her story in the present, MattRosen's camera is focused on her green eye. In the hands of a lessercinematographer, this framing could come off as awkward andunflattering, but as executed, it is a truly haunting closeup. I bringup this arresting sequence because it is was at this moment that I mostconnected with GREEN EYES, and realized that despite its large cast ofcharacters and sprawling scope across time, it ultimately was Jamie'sstory.

GREEN EYES is a small indie film, written and directed by JackGattanella. It tells the story of Nic, who is still coping with thedeath of his girlfriend in a car accident. Having slept with Jamie whenshe had been dating his best friend Glenn (Zack Abramowitz), Nic blameshimself (as do a few others around him) for having caused Jamie'semotional state leading to her death. Through his cousin Rannie (TaliCuster) he meets an impulsive and drug-addicted woman named Ingrid(Audrey Lorea), and jumps into a sexually-charged but lovelessrelationship with her. The film cuts back and forth between the Nic &Ingrid and Nic & Jamie relationships, as well as focuses on a feweccentric supporting characters. In addition to this feature-lengthstory, Gattanella made a prequel film in 2004 entitled INFIDELIO, whichtold the story of Glenn first discovering Nic and Jamie's affair,though the same characters were portrayed by different actors. Lookingat GREEN EYES and INFIDELIO as a single work, what you have is a largenovel, akin to a great Russian narrative like ANNA KARENINA transportedto New Jersey. The film jumps through time in a stream of consciousstyle, painting a large tapestry of interwoven lives, many of themliving in hurt. Gattanella's direction reminded me at times of PaulThomas Anderson: throughout his control of the narrative, we sensesomething sinister bubbling under the surface, and he has a greatrelationship with his cinematographer. Rosen's camera hovers gracefullyover this labyrinth of a plot, just like Ingrid wandering through thehalls of a chaotic house-party.

This is an actor's film, but through its many performances, there arethree in particular I must point out as they truly are deserving ofawards: Dasha Kittredge, Suzanne Lynch, and Zack Abramowitz. Asoriginally portrayed by Lori Finkel, Jamie seemed like a genericcheating girlfriend who I had no sympathy for at all. Now portrayed byDasha Kittredge in the film's strongest performance, Jamie Gold is abeautifully tragic character who has unintentionally wrecked havoc onevery single life she encounters. Kittredge embodies this tragedy: thisis a pathological liar filled with self-hatred, and who ultimatelybrings harm to every single other character in the film, yet we fullybelieve her innocence at every moment. As her mother Ellie, Lynch playsthe sad character whom Jamie has truly hurt the most. In a sceneshowcasing the film's best moments of drama, we catch a glimpse of aconfused woman, and we can only imagine the years of backstory thatmust have existed between her and her daughter. I am shocked to seethat Lynch has so few IMDb credits as she feels like a true veteran offilm. Finally, there's Abramowitz as Glenn. Originally portrayed byEric Luszcz, Glenn came off as just a regular guy who we as theaudience sympathized with. Reinterpreted by Abramowitz, Glenn Jones isslimy and controlling, even going so far as to admit he would murderJamie if he were inebriated and later makes a shocking confession toNic. Yet Glenn is not a simple brute but a very smart man with momentsof sharp insight. Abramowitz's energy during his breakup scene getsright under your skin, and reminded me of a young Bruce Willis. SeeingGlenn this way makes us understand Jamie much better.

GREEN EYES works on the whole as its heart is in the right place. Theproduction value is a bit inconsistent, but the cinematography,editing, sound, and an especially great musical score all raise anindie film to serious storytelling with characters who have more depththan the most of what you'll find in Hollywood films. And like any goodnovel, it deserved to be revisited. I have no doubt I will see newthings the next time I view GREEN EYES, and I will want to watch itagain and again. I really hope film distributors will take notice ofthis strong work, as it's worth noting that GREEN EYES serves as acalling card for the entire New York/New Jersey indie film community. Aherald of sorts, GREEN EYES represents the best that this emerging poolof talent has to offer.






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