Free Download Yes, Your Tide Is Cold and Dark, Sir (2013)
- MOVIE page: Yes, Your Tide Is Cold and Dark, Sir (2013)
- Rate: 5.6/10 total 48 votes
- Genre: Drama | Mystery
- Runtime: 122 min
- Filming Location: Lewes, Delaware, USA
- Budget: $150,000 (estimated)
- Director: Christopher Malinowski
- Stars: Christopher Malinowski, Aimee Cassada, Chrissy Tackett | See full cast and crew
- Original Music By: Christopher Malinowski
- Plot Keyword: Isolation | Neo Surrealism
- (in alphabetical order)
- Christopher Malinowski writer
Plot: In September of 2009, 63-year-old RUDY "CLAY" CLAITONOWSKY, a rogue guitar instructor, and three of... See more » | »
Story: In September of 2009, 63-year-old RUDY "CLAY" CLAITONOWSKY, a rogue guitar instructor, and three of his teen-aged pupils disappeared without a trace into the sand dunes of Cape Henlopen, Delaware. Eight months later, Clay's estranged, stock broker son CLIFF makes an emotional pilgrimage to the coastal town, which he abandoned twelve years prior following the death of his mother. Amending his past and that of his father, Cliff begrudgingly forges relationships with mirthful barfly JACK, his father's closest friend, the elderly MERRILL, his mother's one-time hospice nurse, and restaurant owner, JACEY, Clay's former mistress and mother of CARL TULLIVAN, one of the missing teenagers. Looming beyond Cliff's ambivalent quest is the presence of shady real estate mogul RICK TULLIVAN, Jacey's ex-husband and father of Carl, and a spectral assemblage of reserved, faceless men, with grim ties to Clay who threaten Cliff nocturnally. As Cliff becomes mired in the unrequited love of his father and ... Written byAnonymous
Produced By:
- Alan Burkhard known as executive producer
- Christopher Malinowski known as producer
- Christopher Malinowski known as Cliff Claitonowsky
- Aimee Cassada known as Jacey Edison
- Chrissy Tackett known as Maggie Schick
- Evangeline Young known as Audra Folden
- Jean Brooks known as Merrill
- Ted LeBlang known as Rick Tullivan
- Shawneen Rowe known as Sarah
- Gregory Tigani known as Jack
- Michael McFadden known as Officer Matt Kelly
- Robert Stuart known as Rudy 'Clay' Claitonowsky
- Eric Alexander known as Stray Man
- Mina Arroyo known as Reporter
- Brittany Baird known as Guitar Student
- Alexis Barone known as Kelsey Whiles
- Alan Burkhard known as Bartender
- William Chamberlain known as Driving Man
- Julie Chapin known as Lori Whiles
- Jason Cordingly known as Stray Man
- Ryan Cordingly known as Guitar Student
- Shannon Cordingly known as Restaurant Patron
- Michael DiCove known as Guitar Student
- Larry DiMaio known as Joel
- Brian Donahue known as Guitar Student
- Mike Donovan known as Henchman 1
- Jim Edwards known as Stray Man
- Bobbi Fisher known as Guitar Student
- Keith Given known as Stray Man
- George Hartnett known as Guitar Student
- Robert D. Heath Jr. known as Detective Ty Harkey
- Cameron Hewlett known as Young Cliff
- Jake Josephson known as Huffy
- Cruz Kapp known as Guitar Student
- James Kassees known as Dan Whiles
- John Kovatch known as Guitar Student
- Paul Lally Jr. known as Gus
- Joyce Lopez known as Receptionist Nurse
- Terry Manucci known as Barbara Folen
- Jerri Martin known as Restaurant Patron
- Engelia McCullough known as Therapist
- D. Kevin McKee known as Stray Man
- Ed McLaughlin known as Link
- Mark Miller known as Stray Man
- Roxanne Nawrot known as Guitar Student
- Sylvia Nawrot known as Polish Interviewer
- Chris Nevins
- Bernie Noeller known as Paulo
- Colin Nolan known as Young Carl
- Joy Nolan known as Carol
- Richard Pack known as Bleu
- Marilyn Ransom known as Donna
- Ritchie Rubini known as The Slight Man
- Bob Scannell known as Teddy
- Justin Sharp known as Guitar Student
- Christian Shaver known as Guitar Student
- Jeanie Smith known as Bar Patron
- Kevin Smith known as Bar Patron
- Tracy Tackett known as Waitress
- Frank Tier known as Henchman 2
- Jessica Zarin known as Guitar Student
Production Companies:
- Myatin Filmworks LLC
Yes, Your Tide Is Cold and Dark, Sir (2013) Review by Trumpetego85 from Wilmington, Delaware
The following is an excerpt from "Wilm Film: A First for Everyone,"currently posted in the blog section of Spill.com.
The film starts off positively enough with some decent shots of theDelaware landscape as well as a brief exposition detailing the dilemmaat hand. It appears that Rudy "Clay" Claitonowsky, a local musician whohas amassed a cult-like following in his home town of Lewes, hasdisappeared along with three of his students. Clay's son, Cliff, hasreturned to Lewes in hopes of finding out what has happened to hisfather as well as closing the book on several chapters of his life.
Before moving on, I'd like to say one thing about this film; thepremise and initial concept of this movie is quite good. We have alocal musician who is so charismatic and charming that the localpopulace have almost begun to deify him. They worship and praise nearlyeverything this man does to the point that they trust him with theirchildren, and even when this trust is betrayed, it seems as though mostof the townsfolk is willing to forgive him (with the exception of themissing kids' parents). At its core, this has the potential to be agreat story. We have a prodigal son returning home to find that he isloved by nearly everyone he meets, not because of who he is or who heused to be, but because of his relation to a cult of personality. I'dlove to watch that movie.
However, that is not the movie I saw this evening.
What I saw was a pretentious, insipid waste of a film which thinks it'smuch smarter than it really is. What was initially a sound andintriguing premise quickly turned into David Lynch's Circus, devoid ofany artistic meaning or merit. Let me stress that I love symbolism andsurreal imagery in film, but simply throwing these aspects into yournarrative without any context or significance is utterly pointless. I'msure meaning can be found in these scenes, but only by those whoconsidered themselves to be the most conceited and hollow of hipsters.
I cannot recall the number of times during this screening that I wantedto stand up and scream, "You're trying too hard!" This narrativedoesn't need to be surreal. Hell, it doesn't even have to becomplicated! All you're telling is a "father and son" story that justhappens to revolve around an idolized father and a dislocated son, sowhy insert random and pointless surrealism? This only serves to furthercomplicate the narrative, which by itself is quite hard to followthanks to numerous subplots running rampant throughout the movie. Theseinclude the son having a romantic relationship with a former nurse ofhis mother, another centered on his father's former mistress, andanother involving land disputes and a land mogul trying to take overthe town, none of which have any bearing on the movie's resolution.
The film only further frustrates the viewer when the performances rangefrom dull and tiresome to exaggerated and melodramatic. The mainantagonist of the film (the aforementioned land mogul) is sostereotypically over-the-top that I expected him to be stroking a catwhenever he was on screen. This character appears to serve as themovie's comedic relief, although I cannot tell if the laughterassociated with this character is due to the actor's terribleperformance or his awkward dialogue. It is this so-called comedy thatserves to confuse me the most. Shortly before entering the screening, Iread a small description of the film in a pamphlet provided by WilmFilm which described the movie as a "dark comedy." You can imagine myconfusion when I went on the film's official website later that nightwhere is it described as a "neo-surrealist drama." Amazingly, neitherof these descriptions fit. The movie can certainly be dark at times,but there is no sense of comedy at all, although one could consider thelame attempts at surrealism the funniest parts of the film.
The movie concludes with a sudden bout of incoherent scenes andphrases, and as the credits role, my mind is racked with unintelligibleimagery and metaphors, all of which make me wish I had snuck in aflask. My girlfriend and I slowly exit the theater, exchanging dazedand defeated looks between ourselves and other patrons. She makes aquick joke about how she would love someone like the Nostalgia Criticor OanCitizen to do a review of this movie, and it suddenly dawns on methat "Yes, Your Tide is Cold and Dark, Sir" is eerily similar toanother infamous film which has been torn apart by both internet andprofessional critics alike. The film in question features a man pullingtriple duty as an actor, writer, and director, not unlike the film wejust saw. It was also advertised as a drama before critics startedshunning the film, then the studio and director suddenly changed theirtone and said it was meant to be a dark comedy, so it appears both ofthese films are suffering from an identity crisis.
The movie I speak of is "The Room," and while "Yes, Your Tide is Coldand Dark, Sir," is not as bad as that piece of cinematic garbage, I dothink that with this film, Delaware may have found its own TommyWiseau.
Yes, Your Tide Is Cold and Dark, Sir (2013) Review by willyhnd1295 from Wilmington, Delaware
I would break down everything I HATE about this flick (believe me:there are a lot of reasons), I won't for two reasons:
1.I saw this flick a couple months ago, so my memory is a bit vague 2.Ialready posted a review once before, but it got deleted for some reason
Here's my brief review:
This movie is 30 different kinds of terrible. I only saw this moviebecause a friend of mine was in it (he hates the film too). What I wastreated to that evening was what I can only describe as a cinematicmiddle finger. The plot went off on tangents that either served nopurpose or were so clunky that it was like fitting a square peg into around hole and the character motivations were almost impossible todiscern. The dialogue was littered with awkward cursing for the sake ofcursing and ridiculous character interaction, the acting wasmind-numbing at best, and the cinematography was just plain dull.
The only part of the whole flick that I found borderline enjoyable wastrying to figure out where they were in the towns I have spent manysummer vacations traversing.
If you are ever given the opportunity to see thistrying-so-hard-to-be-artistic-and-deep-that-it- hurts-to-watch pile ofcrap: DON'T, unless it's free, and even then I would recommend it forsheer riff value with friends.
Side note: the cast list is missing the son of the antagonist who waspretty freaking integral to most of the plot. My friend tells me hisname is Shane Spencer. Just thought I'd mention that.
Yes, Your Tide Is Cold and Dark, Sir (2013) Review by Dance Devilinthefullmoonlight from United States
Wasted good money on something hyped as 'Delaware has a new boy geniusdirector 'Chris Malinowski' (trumpet fanfare). This self-absorbeddrivel delves into only Mr. Malinowski's obsessions, shallow plotlogic, and uneventful finale. When you put out 'serious product' thenexpect the world to spotlight you as the next Quentin Tarantino nowonder Delaware is laughed a lot by the rest. Put out something worthyof the art Mr. Malinowski, pay the dues, before grabbing the accolades.
This happens to jaded 'superstars' that never see themselves throughall of the pancake makeup, eyeliner, shirtless torso photographs aplenty does not make Chris a good singer. He is a great guitaristalways has been his vocal delivery is pathetic but Chris would nevertake the hint years ago that to truly make it in music you really needa singer with chops. Alas nobody can convince Chris that he just cannotsing, or make movies. Smart guitarists like Greg Howe areinternationally famous because he teamed with great vocalists. Samelogic you may have the film school credentials, but that doesn't makeyou a director with actual talent. You can't pull the wool over usChris, and don't expect anything but reality from all but the clan ofsycophant's that you have around you.
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